英语电影观后感优秀6篇

观后感是因观看而激发的决心和理想，也可以是因观看而引起的对社会上某些丑恶现象的抨击。好作文整理了6篇英语电影观后感，希望您在阅读之后，能够更好的写作英文电影观后感。

英文电影观后感 篇一

The moral issues proposed by artificial intelligence

In the movie， a diversity of robots were created to meet humans need. And when the first robot with emotion like humans is going to be produced， someone raised a question: what responsibility should human take for robots who are created to love human? In fact， its really a great challenge in traditional morality.

What happens if we begin to create a robot that is capable to love likes us? It means that we would be more struggling to regard robot as an animate lives or just a tool to feet our needs， especially an intelligent object just cries and laughs exactly like us. The two choices represent two divergent attitudes towards robot. Emotionally， its natural for people to regard robots who are so similar to us as our friends or families， even closer than pets. They both have feelings and emotion. For intelligent robots with emotion， they work， talk， and even love as we do. However， rationally， robots are just artificial machines designed by human， and made to serve us， which give human a great appetency to control and rule them， using as slaves or even tools. Apparently， its difficult to tell which attitude is right definitely for now. For the reason that， when there is a novel controversial object shaping in the process of technology， traditional morality tends to wake and needs to develop.

电影英文观后感 篇二

On Friday night, my parents and I went to the Times Cinema to watch the movie Hoh Xil. Although my mother said many times before that how beautiful the movie was, I didn't agree with those who didn't know much about it.

When I entered the cinema, I saw a yellow banner about five meters long, with the general idea that "10,000 people signed to support Hoh Xil's Oscar-winning campaign", and there were many signatures on it. Mom asked me to sign it, too. I felt awkward: Why do I have to sign it? Can you sign your name casually?

I leaned forward and entered the cinema.

But during the 90 minutes in the cinema, I was deeply shocked.

The film directed by Lu Chuan is based on a true story, which takes place in Hoh Xil. This is a feature film reflecting adventure. It tells the story of people's survival struggle in desperate circumstances and the mutual struggle between man and nature through the process of hunting and stopping the hunting of Tibetan antelopes. But this topic is worldwide.

英文电影观后感 篇三

he story is about a young princess (公主) (Hepburn) named Ann, making a goodwill (善意的) tour of Europes capitals. She is tired of the responsibility (职责) and demands of the role she has been born in to and longs to experience the every day pleasures of an ordinary person. In Rome she finally rebels. Waiting until after everyone in the embassy (大使馆) where her party is staying has gone to sleep, she slips out a window and finds herself alone on the streets of Rome.

She is found by Joe Bradley (Peck) , a hardened (坚毅的`) and somewhat cynical (愤世嫉俗的) reporter, on his way homefroma late night card game. Not knowing who she is but seeing that she has no place to stay he takes pity on her and invites her to his apartment for the night. In a ical (滑稽的) scene, he offers her a pair of his pajamas (睡衣) and points to the couch where she can sleep. Innocent (天真的) aristocrat (贵族) that she is, she asks for a nightgown and help undressing. Bradley helps her take off her tie and then leaves the room. When he returns a few minutes later he discovers her sound asleep on the bed, leaving him the couch (沙发) .

Leaving her sleeping the next morning, Bradley shows up late for work and tries to cover himself by saying that he had an interview (采访) with the princess. But his editor shows him a newspaper with her picture and headline stating that she was taken ill the night before and canceled all appointments (安排) for the day. Bradley immediately realizes who he has in his apartment and gets the editor to agree to pay $5, 000 if he can get a real interview with the princess. On the way out Bradley contacts a photographer (摄影师) friend, Irving Radovich (Albert) and arranges for him to met him later with his camera for a big scoop.

Returning to his apartment, Bradley picks up the princess for their planned tour of the city. Bradleys real aim is to get the pictures and story he promised (答应) his editor. But the innocent charm of the princess softens him and the two start to fall in love. Theyendup having a good time and some ical adventures (冒险) . Bradley conceals the fact that he is a reporter who knows who she really is and she doesnt tell him that that she is a royal princess. But in theendthe truth es out and the princess realizes that her duty to her country and family e first and she reluctantly (不情愿地) returns to her official role.

The two meet briefly at theendduring her press conference with other reporters. She addresses Bradley as Mr. Bradley just like the others. As he is leaving, Bradley, quietly slips her the photos that his friendIrving had taken and lets her know that his story and pictures of their time together will never be published (公布) .

The charming Audrey Hepburn plays a modern princess who takes a day on Rome. She meets up with reporter Peck and wise-cracking photographer Albert. Peck and Hepburn fall in love, though Peck plans to sell an "exclusive story with the princess. " Roman Holiday is a fun romantic edy, but stays realistic (现实) with its mentary on society and royalty.

电影观后感英文 篇四

Pearl Harbor is a monstrous, costly and utterly disrespectful abomination of film with pretensions of serious emotional weight and proper historical context. With the cost of the movie comparable to the damage costs of the actual Dec. 7, 1941, attack, more attention should've been paid to the script and research instead of all the models and gasoline for an attack sequence that, while spectacular, was more appropriate for a Star Wars clone or a video game than an actual World War II-era film.

And that's about the only "positive," if you can call it that, of that hack Michael Bay's Oscar-bait project. Many history buffs have ripped the movie from the angle of historical inaccuracy and omission. Assuming that Pearl Harbor is not meant to be a documentary, but a work of historical fiction, lack of historical accuracy and comprehensiveness is by far the least significant of Pearl Harbor's problems, per se, although such blatant historical carelessness certainly starts to say a lot about the movie as a whole.

But, if Pearl Harbor's aim was to be a work of fiction, it has also miserably failed at that. It fails as literature, and it fails as a film. Pearl Harbor tries to be an amalgamation of three past classic movies on the subjects it covers: 1) From Here to Eternity, a clever and well acted telling of the stories of several characters' romantic pursuits and personal struggles right before the attack on Pearl Harbor disrupted everything, 2) Tora! Tora! Tora!, a mostly factual, well balanced depiction of the planning and execution of the actual Pearl Harbor attack with vintage cinematography, and 3) Thirty Seconds Over Tokyo, a meticulously detailed depiction of the Doolittle Raid with a schmaltzy but genuine love subplot involving one actual soldier and his wife. But Pearl Harbor falls far short of all three aforementioned films on not only their own terms, but simply as movies.

Instead of From Here to Eternity's clever dialogues and personal plot twists and romantic moments dripping alternately with irony and genuine warmth, Pearl Harbor wastes its first hour and a half of screen time setting up a sophomoric love triangle that could have been ripped straight from daytime television soap operas and trash talk shows.

The triangle involves two generically glamorous flyboys, played by Ben Affleck and Josh Hartnett, who have been friends since childhood. Even their names, Rafe McCawley and Danny Walker, are mundane. Rafe (Affleck) falls in love with a nurse who presides over his physical named Evelyn (played by Kate Beckinsale), who is also generically glamorous. Rafe and Evelyn spend the next hour or so exchanging pallid lines of dialogue that try too hard to hammer into the audience that, yes, they are in love. Sort of like Shakespeare or Petrarch without any brains and about four centuries too late. In any case, Rafe goes to Britain to fly for the Royal Air Force, where he faces serious butt-kissing from the Brits in a disgustingly patronizing depiction of both British and Americans, and gets shot down over London. But (who didn't see this coming) he lives.

But Evelyn thinks he's dead. And so does Danny (Hartnett). After the token few minutes of mourning, Danny and Evelyn fly above Hawaii and then make it like rabbits under parachutes, invoking obvious parallels to Titanic's "I'm flying" scene followed by good ol' shagging in a car backseat. More faux-sonnet dialogue follows. Then, just like clockwork, Rafe comes back, poor Evelyn is caught in the middle, and Danny and Rafe fight Jerry Springer-style. Then it gets interrupted by the spectacular but oddly fake and inhuman money siphon ... er ... I mean, attack sequence characterized by CGI copies of trapped and screaming people.

Meanwhile, Pearl Harbor occasionally alternates to shots of somber-looking Japanese spies and soldiers planning the attack, all accompanied by evil-sounding music, going out of the way to make the Japanese look like devious souls out for revenge because America wouldn't give them their oil (convenient partial reasoning). Then, in an attempt to make the Japanese appear somewhat remorseful, the script calls for Admiral Yamamoto to utter his famous "brilliant man" and "sleeping giant" lines.

After the attack, Jon Voight does a wonderful impression of Peter Sellers' Dr. Strangelove. Only problem is, he was supposed to be Franklin D. Roosevelt.

O, and as for Rafe and Danny? They've sort of made up. Heck, during the attack, they even team up to presumptuously usurp the roles of the two historical heroes of the Pearl Harbor attack, Lts. George Welch and Kenneth Taylor, who took to the skies and shot down anywhere from six to 10 Japanese planes.

Then our omnipresent plastic heroes listen in on a Top Gun-esquire rah-rah by Alec Baldwin's interpretation of Col. Jimmy Doolittle, which leads into a half-baked annotation of the historical Doolittle Raid, which has the threefold purpose of making sure our two heroes achieve good ol' American vengeance on the Japanese, to slap some convenient closure on our three-hour General Hospital episode (in case you couldn't figure it out, Danny dies, and Rafe and Evelyn live happily ever after with the parachute baby Danny Jr.), and to make me wonder why this movie was titled "Pearl Harbor" and not "Babes, Bombs and Butt-kicking," or something rather. Then the credits roll, accompanied by a pop song that sounds like a rejected idea for Titanic.

The title "Pearl Harbor" presumes that this movie is the ultimate cinematic authority on the attack. But instead it amounts to little more than a three-hour soap opera with putrid dialogue that has the gall to give credit to generic G.I. Joes for key historical roles. No other work of historical fiction has at the same time taken itself so seriously and managed to show such irreverence both for its subject and for the very craft of film-making.

电影英文观后感 篇五

A few days ago, when I took my daughter out to play, I saw the poster of Hoh Xil at the door of a video store. I was attracted by the strange font and the deep and mysterious color of tan, so I downloaded the film online.

The story took place in the winter of 1997, starting with the killing of a mountain patrol member. The Hoh Xil Mountain Patrol Team is a team recruited by the local government to protect the rare species-Tibetan antelope and deal with the increasingly rampant poaching activities. The captain of the team, Ritai, is a veteran, with more than 20 members under his command. They have been chasing poaching gangs for years to protect the Hoh Xil they love. Gayu, a reporter from a newspaper in Beijing, learned that Japan and Thailand wanted to set up Hoh Xil Nature Reserve and came to interview this team. He just arrived at the station, and on the same day, Thailand took his brothers and lamas to do "celestial burial" for the dead players, and they rushed into the mountains overnight. At this time, Gayu did not understand the danger of action.

电影英文观后感 篇六

When I first saw this film’s name,I considered it as a movie that told us something about Chinese traditional therapy treatment. However,after the movie,I realized guasha was just a symbol of the difference between Chinese culture and western culture,and there were many aspects we should have a deep consideration .

At the beginning of the film,Xu Datong slaps his son Denis on his face before the crowd,because Denis hit the son of Xu’s son and Xu just want to show the respect to his boss Quinlan,that time Quinlan feels puzzled and says“what a Chinese logic”。 Of course,an American can never know a Chinese logic of interpersonal relationship which has been prolonged more than 2000 years . Chinese can wronged their children in order to maintain friendships and leader-member relation,while American think everyone is equal and free .

In addition,they can also never understand Chinese hit their children because of loving them . In America,people pay more attention to the right of children which can be seen from the law-beating children or leave them alone is illegal,but a Chinese old proverb says “ Spare the rod,spoil the child” .

Another scene which makes me deliberate is that the lawyer vilifies Sun Wukong in A Journey to the West as a symbol of barbarism and violence in the court,then Datong is eaged and then rushes to fight the lawyer . We all can know the reason,because Sun Wukong is a hero on behalf of justice,representing Chinese traditional values and virtues .

Guasha Treatment tells us that the key to avoid the conflict of different cultures is mutual understanding and tolerance.

海纳百川，有容乃大。上面的6篇英语电影观后感是由好作文精心整理的英文电影观后感范文范本，感谢您的阅读与参考。